Author Archives: JONATHAN CLARK

Experience

FROM THE AISLE: MA RAINEY’S BLACK BOTTOM

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On March 9th, the Huntington Theatre Company will open Wilson’s 1984 play, which focuses on a recording session of early blues musicians. Continue reading

Experience

FROM THE AISLE: TIME STANDS STILL

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Pulitzer Prize-winning playwright Donald Margulies tackles love and war in Lyric Stage’s Time Stands Still. Continue reading

Experience

FROM THE AISLE: FEN & A NUMBER

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Whistler in the Dark explore the dark, complex work of Caryl Churchill in “Wanted Something,” which features the plays Fen and A Number. Continue reading

Experience

FROM THE AISLE: RED

There is something deeper going on here, about the nature of generational artistic progress, about the ways in which we cling to our place in a given field, about what makes art seem in one moment so quintessentially now and other times obviously passé and antiquated. Even though I feel unequipped to pass judgment on one of his paintings, the play still was able to strike me. Continue reading

Experience

FROM THE AISLE: SUPERIOR DONUTS

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Tracy Letts, author of the incredible epic “August: Osage County” proves he can be just as brilliant and effective working on a smaller scale. Continue reading

Experience

GOD OF CARNAGE: FOUR-PART DISHARMONY

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“Oh, this is an hour and twenty minutes of people behaving really, really badly. The play isn’t a comment on parenting but how we interact as people as a society—with disdain or lack of compassion. Parenting is a metaphor to bring a level of understanding,” Director Daniel Goldstein tells the Dig. “That’s what art is meant to do. Show us a little bit more about what it is about what it is to be a person.” Continue reading

Experience

FROM THE AISLE: THE BEST PLAYS OF 2011

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I can’t actually claim to be able to list the best plays of the year, as I didn’t see nearly all of them. I did, however, see nearly 40 of them, which, I would wager, is more than most. Continue reading

Experience

FROM THE AISLE: THE MERRY WIVES OF WINDSOR

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The Falstaffian scholar Harold Bloom is highly critical of The Merry Wives of Windsor as not being up to Shakespeare’s genius. F*ck him. Go see it. Continue reading

Experience

FROM THE AISLE: THREE PIANOS


Full disclosure: I’m a little drunk. I was going to wait until I sobered up to write this review, but then I thought, f*ck itContinue reading