The point is, Trouble Will Find Me is here, and it’s wonderful. Continue reading
The point is, Trouble Will Find Me is here, and it’s wonderful. Continue reading
The Julius Eastman Memory Depot is a passionate and fearless attempt to reinvent and reintroduce the often cryptic music of Julius Eastman to a modern audience. Continue reading
The Boston-born 64-year-old Vietnam vet learned to play guitar while in prison, serving time since 1995 for robbing banks. Continue reading
I do know that just like Black Sands, The North Borders has touched my subconscious and become the soundtrack of my dreams. Continue reading
The Invisible Way honors many of the band’s well-defined musical hallmarks, from Sparhawk and Parker’s harmonized vocals to the sparse instrumentation and the hyper-sensitive production value that could pick up the faintest pin-drop. Continue reading
With a voice reminiscent of The National’s Matt Berninger and more synthesizers than are probably necessary, Diamond Rings’ sophomore release Free Dimensional is a more upbeat and energetic effort than 2010′s Special Affections. Continue reading
This album is what it might sound like if schoolchildren made club music: repetitive sing-song qualities that verge on taunting. Continue reading
Pacifica is equal parts galvanizing and dizzying, making it the perfect pill-popping party starter. Continue reading
Whether he is backed by a band or strictly on his own, Banks will always be a musical visionary of his time. Continue reading
It was obvious the minute her single “Ruin” dropped, back in June, that Chan Marshall (aka Cat Power), had something different in store with her long-awaited album Sun. Continue reading
The duo, of course, deserves a very enthusiastic “f-ck yes!” for their ballsy cover of one of Michael Jackson’s most controversial songs, “They Don’t Care About Us.” Continue reading
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