Among a certain set (see: a$$holes), poetry and jazz music have gotten bad raps. Claims of pretension, incoherence, and uncomfortable neckwear abound. That’s why POEMJAZZ is coming to save the day! Continue reading
Among a certain set (see: a$$holes), poetry and jazz music have gotten bad raps. Claims of pretension, incoherence, and uncomfortable neckwear abound. That’s why POEMJAZZ is coming to save the day! Continue reading
“What I try to get people to imagine is Cirque Du Soleil at a rave.”
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Your best chance to fulfill any unresolved Amadeus fantasies. Continue reading
What was your favorite part of the show? “Jaw harp. You don’t see that that often! The f*cking jaw harp, man. Holy shit.” Continue reading
Are there two more diametrically opposed artistic mediums than indie rock and theater? Probably not. One prides itself on its bone-bred indifference to all things big and flashy and the other successfully employs, well, the big and flashy.
If that’s the case, Cesar Alvarez didn’t get the memo. The Lisps’s frontman is getting set for the OBERON debut of Futurity,
a wild-ass musical detour into an alternate Civil War history backed by a live, indie folk soundtrack from The Lisps themselves.

Not that kind of “benefits” …
We chatted with Playwright Bill Doncaster about taking this tale of loyalty, betrayal and Bobby Orr to the stage. Stickball Productions presents Friends of Eddie Coyle, opening Thursday at the Oberon. Continue reading
Now that we think about it, four actual quartets wasn’t exactly necessary … but hey, bonus! Continue reading
Tokyo. A sparkling, fast-paced technological wonder inhabited by high-powered businesspeople and anthropomorphic business-cats. Tokyo. A city so on the cutting edge that it’s known as “the Tokyo of Japan.” Continue reading
So, you think you had a pretty rough childhood? You weren’t a good swimmer, you had to get braces, you broke your Gameboy Color—we get it. Yawn. Continue reading
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