Warriors, come out to play-e-ay!
A reissue worth revisiting (if only for the shrubbery). Continue reading
If you missed last week’s kick-off to Jeremy Jed Hammel’s second-annual tribute to sustainable, community conscious cinema, then, uh … stop doing that. Ya jerk. Continue reading
“He quit the gangs. They killed his girl. He became …” And that’s it. The tagline just trails off right there. Like the He in question just kung-fu chopped the narrator in the voicebox before the big reveal. Continue reading
The Texas Chainsaw Massacre. The Devil’s Rejects. Sweet Home Alabama. Horror cinema is not kind to sons of the soil, painting them as either toothless, cackling harbingers of doom or overall-clad engines of sodomy-murder. Continue reading
When there’s no less than Alice Cooper is singing the title theme, you know it’s something special. Continue reading
As we mentioned before, legendary composer Bernard Herrmann didn’t just know a thing or two about throwing in a dramatic spike or a moody lull to punch up the cinematic experience of the twentieth century—he knew all of it. Continue reading
Here’s a little known cultural tidbit: Japan’s got a reputation for being a tad on the conservative side when it comes to tradition. Continue reading
Ravenous hedgehogs from outer-space threaten to devour Kansas, and only Billy Zane, a pair of feathery-coiffed intergalactic bounty-hunters and the best gore-effects circa ‘86 can stop them! Continue reading
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