DAVID SEDARIS DOESN’T DO IT FOR THE STORY
SPAMILTON TOO NICE FOR SATIRE
★★☆☆☆
As far as Boston theater goes, Hamilton is out and Spamilton is in. ...
ENDLINGS DIVES INTO KOREAN-AMERICAN IDENTITY: AN INTERVIEW WITH ACTOR JIEHAE PARK
Celine Song’s Endlings, which has its world premiere next month at Cambridge’s American Repertory Theater, is a strange, fantastical work with a lot on its mind. It centers ...
THE LITTLE FOXES CREW MAKES CASE FOR HELLMAN
Lyric Stage considers Lillian Hellman’s opus and legacy
The Little Foxes cuts straight into the heart of American morality at a time when the nation is at a turning point. With women striving for recognition, shifting racial politics creating visible friction and ...
CHRISTINE EBERSOLE IS READY TO BE SURPRISED: AN INTERVIEW WITH CHRISTINE EBERSOLE
Christine Ebersole was driving to White Plains, New York, when she called me. The two-time Tony Winner (42nd Street and Grey Gardens ...
THE WOLVES SCORE BIG AT LYRIC STAGE
★★★★★
“Maybe we shouldn’t use the B-word?”
The ways a group of teenage girls treat each other is often at the forefront of The Wolves. In the Lyric Stage production ...
SEEDS OF MISTRUST IN A.R.T.’S OTHELLO
★★★★☆
Othello, William Shakespeare’s quintessential tale of race-baiting political treachery, has more connections to contemporary society than one might care to admit (or write down). As observed in the Oregon Shakespeare ...
THE END OF TV, LIVE AND IN COLOR
★★★★☆
The demise of television, it appears, happened before the medium even began. The End of TV, a multimedia theater piece mounted by the Manual Cinema troupe, filters shadow ...
HUNTINGTON’S MAN IN THE RING A TOTAL KNOCKOUT
★★★★★
A gentle Caribbean breeze gets caught in a storm of violent masculinity in Man in the Ring, Michael Cristofer’s play about the life of boxer Emile Griffith. In a first-rate ...
FRONT PORCH PUSHES THEATRICAL DIVERSITY
A new black-led Boston theater company prepares its inaugural season
The hard truth about Boston is that it’s a fairly racist city. It’s evident in its social dynamics and made painfully (in)visible in its cultural scene. At least Dawn M. Simmons, the artistic director of the city’s first black-led professional theater ...
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