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BOSTON’S BEST PERFORMANCES OF 2016

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Kirsten Salpini in MURDER FOR TWO (Mark S Howard)

 

  1. Kirsten Salpini, Murder for Two at the Lyric Stage

A brilliant comedic performance, Salpini’s delirious turn as all of the suspects in this musical murder mystery was pure gold. It’s the only performance this year that had me crying with laughter.

 

Doug Lockwood (right) in RICHARD 11 (Stratton McCrady)

 

  1. Doug Lockwood, Richard II at Actors’ Shakespeare Project

It is no easy task to find the right balance between entitled self-absorption and heartbreaking vulnerability, but that is exactly what Lockwood managed in his portrayal of the deposed king. His stunning delivery of Richard’s divine prose was masterful.

 

Eugene Lee in HOW I LEARNED (Josh Lamkin Photography)

 

  1. Eugene Lee, How I Learned What I Learned at Huntington Theatre Company

Lee left nothing on the table in this emotionally rich theatrical autobiography by August Wilson. Lee’s spellbinding candor and exquisite storytelling were as wrenching as they were life-affirming.

 

Brandon Greene in AN OCTOROON

 

  1. Brandon Green, An Octoroon at Company One Theatre/ArtsEmerson

In a performance of awe-inspiring range, Green’s exhaustive turn as BJJ, a “black playwright” struggling with his art and his identity, who slaps on whiteface to (sort of) tell the story of Boucicault’s The Octoroon, was breathtaking.

 

Hilda Fay (center) in PLOUGH AND STARS | Evgenia Eliseeva

 

  1. Hilda Fay, The Plough and the Stars at American Repertory Theater

As Bessie Burgess, a coarse, aggressive alcoholic with British loyalty, Fay was the emotional center of this tense revival. Her transformation from abrasive trouble maker to a kindhearted protector who loses her own life in the process was gut-wrenching.

 

Jeremiah Kissell in FIDDLER (Andrew Brilliant)

 

  1. Jeremiah Kissel, Fiddler on the Roof at New Repertory Theatre

Kissel had big shoes to fill, and fill them he did. His richly layered, exhaustively detailed, altogether triumphant turn as Tevye was a revelation. See him for yourself through Jan 1.

 

REGULAR SINGING (Andrew Brilliant)

 

  1. The cast of Regular Singing at New Repertory Theatre

The uncannily naturalistic performances at the center of Regular Singing were a masterful feat. The intimacy and honesty of this group of six actors made this farewell to the Apple Family a quietly riveting achievement.

 

 

  1. The cast of The Scottsboro Boys at SpeakEasy Stage

It is impossible to single out just one performance from this air-tight ensemble of 13; all helped to make this production the most emotional theatrical experience of 2016. Infectious, heartbreaking, and outright raw, Scottsboro will return for a limited engagement through Jan 22. Don’t miss it.

 

Becca A. Lewis in REVOLT (Paul Fox)

 

  1. Becca A. Lewis, Revolt. She Said. Revolt Again. at Company One Theatre

Lewis gave the most fearless performance of the year in Alice Birch’s blistering exploration of the ways in which women are consistently betrayed by society. From effortless comedy to moments of suffocating pain, Lewis is a marvel.

 

Melinda Lopez in MALA (Paul Marotta)

 

  1. Melinda Lopez, Mala at ArtsEmerson

Organic, frank, funny, and devastating, Lopez laid bare all of the reasons why she is a priceless asset to the Boston theater community. Lopez also wrote Mala, an autobiographical examination about the impossibility of taking care of our loved ones as they reach the end of their lives.  

 

CHRISTOPHER EHLERS

CHRISTOPHER EHLERS

Chris is a theater critic for TheaterMania, WBUR's TheArtery, and is the Theater Editor for DigBoston. He is the treasurer of the Boston Theater Critics Association and reviews film and music for EDGE Media Network.
CHRISTOPHER EHLERS

@_ChrisEhlers

Theater critic for TheaterMania. Assoc. Theater Editor for DigBoston. Member: Boston Theater Critics Association.
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