Written and directed by Michael Almereyda. US, 2020, 102 minutes. Available on video-on-demand platforms.
Jesse Moss and Amanda McBaine are a nonfiction filmmaking team whose previous work together includes "The Overnighters" and the Netflix series "The Family".
It’s a puddle of a film, without shape or clear purpose.
On "Double Bill" at MUBI, featuring Ganja & Hess (1973) and Personal Problems (1980).
Program Review: “Directed by Sara Driver”
Featuring You Are Not I (1981, US, 49 minutes), Sleepwalk (1986, West Germany/US, 75 minutes), When Pigs Fly (1993, Germany/US, 94 minutes), and The Bowery (1994, US, 10 minutes).
Available with subscription at criterionchannel.com.
A sense of truth lies somewhere in Sara Driver’s films, but she doesn’t show you exactly where. Children wander abandoned street corners at night, a businessman barks, a woman affixes the leg of a haunted chair to her head; Driver openly mixes artificial, claustrophobic ...
Early into the pandemic, LGBTQ+ Twitter users joked about the inevitability of think pieces on “Queering the Quarantine” and the ways that social distancing would change the community’s sense of identity. Those were, in fact, published, and you’re more than ...
Film Review: Family Romance, LLC
Written and directed by Werner Herzog. Japan/US, 2020, 89 minutes.
Available with subscription at MUBI.com.
Even after two decades of beguiling artistic turns, Werner Herzog’s lo-fi and seemingly tossed-off Family Romance, LLC is a fierce curveball. Shot by the director himself on prosumer ...
Film Review: Palm Springs
Directed by Max Barbakow. US, 2020, 89 minutes.
Available with subscription on Hulu.
It’s easy to forget how earth-shatteringly funny the first run of SNL Digital Shorts were during the ’05-’09 period from “Dick in a Box” to “I’m on a Boat.” From a distance they might even seem like relics of the 4chan era—so to say a new movie is ...
Film Review: The Killing Floor
Directed by Bill Duke. US, 1984, 118 minutes.
Available on June 19 at the “Virtual Cinema” pages of the Brattle Theatre, the Cabot Street Cinema, and other film institutions.
First thing you hear in The Killing Floor is voiceover narration delivered by a black man in the South circa September 1917, right before he catches a train for Chicago. “The war ...