It’s all about symbolism. And if you can get past the Shakespearean speech and structure, it works.
Besides the voices, the sound effects, like wind or foot-stomps and the open-tuned guitars, Bodkin introduces his shows with the sort of accessible yet scholarly lore that eases listeners into his worlds.
“A lot of people in Boston don’t associate Malcolm X with being a Boston figure. They don’t claim him. Let’s rediscover our own heroes and reclaim them and understand the complexities of who they were.”
As the fourth cohort of Neighborhood Salon Luminaries settles in, and the previous three continue to inform, claims Vedro, “not only the community engagement programs, but now, more and more, other types of programming, and collaborations throughout the museum.”
A theatrical look at race in America