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CONFRONTING THE DEATH CULT

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Photo by Brandon Soderberg

 

Anything this big can’t be that good, you’d like to think.

 

Last year’s Women’s March was rightfully criticized for blinding whiteness and a recalcitrant approach to intersectionality, but after a million or so people again appeared out in protest for last weekend’s March for Our Lives in Washington, DC, it’s apparent that 2017 march set the Trump-era precedent for large protest, and the importance of that is incalculable.

 

Parkland’s student activists, a stunning example of the “don’t mourn, organize” ethos, have their shit together when it comes to what to say about guns in this country—while Democrats five times their age leading the so-called #resistance just don’t and never will. The march called attention to school shootings and the gun lobby, and then it kept on pivoting to include any and all victims of gun violence, acknowledging bias, privilege, and racial disparity along the way. It took the Women’s March’s homogeneity and tilted it toward intersectionality.

 

At its core, it was an anti-NRA parade (wisely, because protest should offer hope always, it was cast as the March for Our Lives), and that’s a good thing because the NRA is a death cult and has nothing useful or sincere to say about gun rights. If an undercover video produced by TV news reporters exposed NRA bigwigs meeting in the molten core of the planet, sacrificing animals, and fellating AR-15s, would you really be surprised?

 

One of the million or so marchers there on Saturday was Nora Ludden. She knows firsthand how long the gun access and gun control debate has circled the drain. She’s a survivor of the 1992 Simon’s Rock shooting, in which 18-year-old Wayne Lo, a student at Simon’s Rock College of Bard in Massachusetts, murdered two people on campus and wounded four after purchasing a semi-automatic rifle at a sporting goods store.

 

“This terrible thing has been going on for a very long time; I was a teenager myself when there was a shooting at my school,” Ludden said. “The shooter was able to get a gun very easily with no waiting period or background check or anything.”

 

Ludden is one of many Simon’s Rock alumni who signed a petition demanding “more access to mental health services and less access to weapons” following the Newtown, Connecticut, shooting. The Newtown shooting happened exactly 20 years after the Simon’s Rock shooting—Dec 14, 2012, and Dec 14, 1992.

 

“Now, you see this continue for decades,” Ludden said. “To see my kids still dealing with the same thing I did is just really heartbreaking.”

 

You’ve surely seen the march’s speeches by now, especially from Parkland’s David Hogg and Emma Gonzalez—but don’t forget about Edna Chavez. The 17-year-old South Central Los Angeles activist paid tribute to her brother Ricardo who was shot and killed, culture-jammed much of the boring big march bullshit with personal-is-political poetry pretty much, and made clear how school shootings and the kinds of gun violence she and thousands of others in cities such as Baltimore or Chicago have endured intertwine.

 

“You hear a ‘pop’ thinking they were fireworks, they weren’t—you see melanin on your brother’s skin turned gray. Ricardo was his name, can y’all say it with me?” Chavez asked.

 

Later, Chavez challenged “solutions” such as more police in schools or more police in general.

 

“Zero-tolerance policies do not work,” Chavez said. “They make us feel like criminals.”

 

The Guardian recently published “Our manifesto to fix America’s gun laws,” written by the staff of the Marjory Stoneman Douglas High School newspaper, and among the demands was one to “increase funding for school security,” and here was Chavez, calling “BS” on it.

 

The lesson: Always listen to people younger than you are, even when you think they’re wrong—especially when you think they’re wrong.

 

As very young people act very adult and organize, a whole bunch of adults in power act like children, especially in the White House and all around it. Trump’s revolving-door administration welcomes warmongering mustache man, John Bolton. What was Bolton doing when he was the age of most of the Parkland students, you may wonder? He ran the Students for Barry Goldwater Campaign at the very bougie private school he attended outside of Baltimore.

 

And then there is Donald Trump Jr., who, it appears, had an affair with Aubrey O’Day of early aughts pop group Danity Kane, which—oh, who gives a shit, except that it has manifested by way of bad R&B and weird foot photos because well, Trump. O’Day wrote a song in 2013 titled “DJT” that sounds like Phil Collins’ “In the Air Tonight” on Robitussin and weaves a dialogue between a bored dickhead dude and O’Day about the state of their relationship, O’Day singing, “I hate me for loving you, hate you for letting our love die.” Who knows, man. Further proof of the affair arrives via the Daily Mail, which looked hard at Instagram posts from O’Day and found one where she is playing footsie with a man and lo and behold, those sure do look like Trump Jr.’s gross, long feet, like he’s a cartoon and his feet got run over by a steamroller but also like they were set on fire?

 

The lesson: Donald Trump Jr., like his father, is a fucking idiot.

 

Before Chicago rapper Vic Mensa performed at the March for Our Lives, he mentioned Sacramento’s Stephon Clark, shot 20 times by police in his own backyard on March 18, holding a cell phone that cops claim they thought was a gun (they also muted their body cameras during the deadly encounter), and Decynthia Clements, from Elgin, not far from Chicago, who was shot and killed after an extended chase with the police wherein she also lunged at cops with a steak knife and set the inside of her car on fire. An “imperfect” victim of police violence, but a victim nonetheless.

 

Police have killed almost 300 people this year. Clark, whose death it does not seem will go away quietly, was shot and killed on March 18—there have been nearly 30 police shootings since then.

 

The lesson: Cops are guns—instrumentalized, surveilling, means of destruction.

 

Brandon Soderberg is the former editor of the Baltimore City Paper, former news editor of the Baltimore Beat, and the author of Daddy Lessons: A Country Music Zine for the Trumpocalypse. You can order it at daddylessons.bandcamp.com. Follow him on Twitter @notrivia.

BRANDON SODERBERG

BRANDON SODERBERG

managing editor @baltbeat / @demoincrisis team / BINJ Baltimore cofounder/ formerly Baltimore City Paper, SPIN
BRANDON SODERBERG

@notrivia

- 3 hours ago