• Skip to main content
  • Skip to primary sidebar
  • Skip to footer
  • HOME
  • NEWS+OPINIONS
    • NEWS TO US
    • COLUMNS
      • APPARENT HORIZON
      • DEAR READER
      • Close
    • LONGFORM FEATURES
    • OPINIONS
    • EDITORIAL
    • Close
  • ARTS+ENTERTAINMENT
    • FILM
    • MUSIC
    • COMEDY
    • PERFORMING ARTS
    • VISUAL ARTS
    • Close
  • DINING+DRINKING
    • EATS
    • SIPS
    • Close
  • LIFESTYLE
    • CANNABIS
      • TALKING JOINTS MEMO
      • Close
    • WELLNESS
    • GTFO
    • Close
  • STUFF TO DO
  • TICKETS
  • ABOUT US
    • 5 DOUBLE-U’S
    • MASTHEAD
    • DISTRIBUTION
    • ADVERTISE
    • SUBMISSIONS
    • PRIVACY POLICY
    • Close
  • BECOME A MEMBER

Dig Bos

The Dig - Boston's Only Newspaper

CURRENT STREET EDITION

DIG 23.02 – 1/28/21

ONCE UPON A TIME IN MEXICO

Written by CHRISTOPHER EHLERS Posted February 27, 2017 Filed Under: A+E, Performing Arts

Dana Delany (Maxine Faulk) and Bill Heck (Reverend T. Lawrence Shannon) in The Night of the Iguana | Photo: Gretjen Helene Photography

Bill Heck stars in an all-star Night of the Iguana at ART

 

 

For most aficionados of the theater, few names ignite our innards quite like Tennessee Williams. While The Glass Menagerie and, to a lesser extent, Cat on a Hot Tin Roof and A Streetcar Named Desire are all revived with some regularity, The Night of the Iguana is one of his lesser-seen works.

 

Lucky us, there’s an unforgettably perfect revival playing through March 18 at the American Repertory Theater with an all-star cast and a top-shelf creative team. The extraordinary Michael Wilson directs a brilliant cast that includes Elizabeth Ashley, Dana Delany, Bill Heck, James Earl Jones, and Amanda Plummer.

 

Bill Heck stars as Shannon, a defrocked Episcopal priest whose demons have driven him to Mexico. I spoke to Heck recently and asked him about the relevancy of Iguana, reuniting with Michael Wilson, and whether or not Broadway is in the future.

 

A lot of critics seem to feel that The Night of the Iguana is either his best play by far or way down on the list. Why do you think it’s so divisive?

 

That’s a great question. To give you a little context of where I’m coming from, it was the first play of his that I ever read way back in high school when I was first discovering theater, so I have a particular attachment to it. It’s one of his later plays. Elizabeth Ashley, who worked with Tennessee and knew him well back in the day, claims this is his most autobiographical play. I think that not only had his worldview expanded, just having come later in his life, but it also maybe struck home with him a little more. He was also arguably more willing to expose himself, be a little more vulnerable with his contradictions and more interested in his contradictions, perhaps. I think it’s upsetting; it’s one of his more upsetting plays in terms of what it demands that we look at in ourselves and in the human experience in so far as the contradictions that exist. It’s a really unflinching look at the nastiness that goes alongside the beauty and how maybe they’re one and the same. It requires some bravery in how it makes us look at ourselves. It requires, perhaps, a more rigorous eye, which our director, Michael Wilson, has over and over. I think the play, instead of becoming a sort of meditation on existence, actually becomes really dangerous. It goes into some spiritually scary places, that if we’re doing our job properly can be pretty exciting and somewhat harrowing.

 

Do you think that this is a good time for a major revival of this play?

 

Yeah, I really do. The current events of our country and, certainly, the world in general—it’s become more pronounced in our country—the schism that exists between people’s perspective and their experience and their ideas about what is proper and what is not. The voice that the extremes are getting is particularly pronounced and this play is about how those extremes are really just extensions of the same human experience. It doesn’t mean they can’t butt heads; it doesn’t mean they aren’t in some way totally opposed, but it is saying that they come from the same place. We’re all people in a world where there are beautiful things and there are ugly things; where there are terrifying things and there are sanctuaries. I think it talks a little bit about how these extremes of perspectives can come from running either away from some of the truth of human experience, or trying to find a truth in that human experience and scrambling to what feels closest. And so you grab onto that most tightly, but maybe when you do that it pulls you away from this other wide swath of reality or actuality. So I think the play talks about how to really embrace the truths of experience and to kind of crack your heart open to all of it. That’s maybe where you can find other people, that’s maybe where you can find yourself and how you exist relative to the whole of existence. I know these are all very large, abstract ideas, but I think part of the beauty of the play is that it really poetically and actively gives texture to those ideas.

 

Remo Airaldi (Jake), Bill Heck (Reverend T. Lawrence Shannon), Dana Delany (Maxine Faulk), and Elizabeth Ashley (Judith Fellowes) in The Night of the Iguana. Photo: Gretjen Helene Photography

 

You had such success with The Orphans’ Home Cycle, your last major outing with Michael Wilson. What is it like working with him again?

 

It’s fucking dreamy! I think he’s a remarkably sensitive and bold artist who has a truly extraordinary empathy for the characters in the plays that he tackles, for what those characters are saying to us as the viewer, to what it means to be a storyteller in the world. He is incredibly supportive of his actors. He creates a very safe space while at the same time challenging them to bring out their best work. He’s very inventive, very subtle, and nuanced but also not afraid of large ideas. I think he’s a really special artist and I very much value our relationship, personally and artistically. I feel very, very pleased to be back in the saddle with him.

 

I think it’s so crazy that Elizabeth Ashley actually knew Tennessee Williams. What is it like having someone on the team that knew him?

 

It’s crazy. The work is so consuming that there’s not as much space as I would like to let that directly enter the room, at least in terms of her regaling us with tales, which I hope to do once we have a little more time. That said, she obviously has such an immediate attachment to the work. In the smallest ways and in the largest ways, she has a real understanding of Tennessee’s intention behind his writing. She’s able to parse all the specifics of how his life affected what he wrote and where his head was at with regard to certain things. She has this irreverent spirit, but coupled with Tennessee’s work, it just kind of magnifies the other in this way that’s really special. She’s nuclear. It’s amazing.

 

I have to ask you, with such an incredible team of people working on this show, it’s hard to imagine that there aren’t plans for this show to transfer to New York. What can you say about that?

 

Nothing, really, to be very disappointing. I know certain parties have discussed it, but I don’t know to what degree. I mean, I hope there’s a future of it one way or another because I feel like it’s an important work for people to see. I think it would be lovely to share it with as many people as possible.

 

THE NIGHT OF THE IGUANA. THROUGH 3.18 AT AMERICAN REPERTORY THEATER, 64 BRATTLE ST., CAMBRIDGE. AMERICANREPERTORYTHEATER.ORG

Christopher Ehlers
CHRISTOPHER EHLERS

Theater critic for TheaterMania & WBUR’s TheArtery | Theater Editor for DigBoston | film and music critic for EDGE Media | Boston Theater Critics Association.

More from author
  • CHRISTOPHER EHLERS
    https://digboston.com/author/christopher-ehlers/
    THE BEST THEATER IN GREATER BOSTON OF 2020
  • CHRISTOPHER EHLERS
    https://digboston.com/author/christopher-ehlers/
    ALL IS CALM, ALL IS BRIGHT: THE YEAR'S BEST AND BRIGHTEST IN SKINCARE AND SELF-CARE GOODIES
  • CHRISTOPHER EHLERS
    https://digboston.com/author/christopher-ehlers/
    BEAUTIFUL DISASTER: THE CHILDREN AT SPEAKEASY STAGE
  • CHRISTOPHER EHLERS
    https://digboston.com/author/christopher-ehlers/
    LOVE SPENT: THE TREASURER AT THE LYRIC STAGE

Filed Under: A+E, Performing Arts Tagged With: A.R.T., Amanda Plummer, Bill Heck, Dana Delany, Elizabeth Ashley, James Earl Jones, Michael Wilson, Night of the Iguana

WHAT’S NEW

CAMPBELL ORDERS INFORMATION ON OFFICER’S INVOLVEMENT IN CAPITOL ATTACK

CAMPBELL ORDERS INFORMATION ON OFFICER’S INVOLVEMENT IN CAPITOL ATTACK

Miami protestors support the “Fight for 15,” a campaign for a higher minimum wage. (AP Photo/Lynne Sladky)

AS LABOR SECRETARY, WILL MARTY WALSH REPRESENT ALL WORKERS?

STATE WIRE: FAILURE TO INVESTIGATE CREDIT COMPLAINTS A TOP ISSUE FOR MA CONSUMERS

STATE WIRE: FAILURE TO INVESTIGATE CREDIT COMPLAINTS A TOP ISSUE FOR MA CONSUMERS

ONE YEAR INTO COVID, COMMUNITY FRIDGES STILL NEEDED & RUNNING

ONE YEAR INTO COVID, COMMUNITY FRIDGES STILL NEEDED & RUNNING

SOMERVILLE MAYOR CURTATONE DROPS BOMBSHELL AHEAD OF MIDTERM ADDRESS

SOMERVILLE MAYOR CURTATONE DROPS BOMBSHELL AHEAD OF MIDTERM ADDRESS

CAMPBELL UNVEILS PLAN FOR POLICE TRANSPARENCY

CAMPBELL UNVEILS PLAN FOR POLICE TRANSPARENCY

Primary Sidebar

HEMPIRE FREEDOM PACK 25% OFF

FEATURED EVENT

Most Popular

  • SPECIAL FEATURE ON THE MASS STATE POLICE: TROOPER WILSON’S WAR by CHRIS FARAONE
  • [UPDATE: WE GOT IT!] WHERE IS THE CONTRACT FOR MASSACHUSETTS’ VACCINE APPOINTMENT SOFTWARE? by POLINA WHITEHOUSE
  • BOSTON LATIN ACADEMY GRADS FIGHT FOR REPRESENTATION IN ALUMNI GROUP by CHRIS FARAONE
  • DOES THE FORMER BPD COMMISSIONER EVEN LIVE IN BOSTON? by ZACK HUFFMAN
  • MASS KEEPS TRYING TO BUILD A NEW WOMEN’S PRISON OUTSIDE OF PUBLIC VIEW by DAN ATKINSON

READ CURRENT MEMBER EDITION

DIG Member 1.9 – 11/26/20

READ CURRENT STREET ISSUE

DIG 23.02 – 1/28/21

Footer

digbos

digbos
AS LABOR SECRETARY, WILL MARTY WALSH REPRESENT ALL AS LABOR SECRETARY, WILL MARTY WALSH REPRESENT ALL WORKERS? Or just unionized construction workers… and the corporations that fund the Democrats. The latest from DigBoston's @jasonpramas. https://digboston.com/as-labor-secretary-will-marty-walsh-represent-all-workers/ #politics #labor #union #work #national #analysis #Boston #Massachusetts
Includes Gang Green, The Freeze, SIEGE, TREE, and Includes Gang Green, The Freeze, SIEGE, TREE, and many more. https://digboston.com/iconic-lineup-comes-through-to-support-nantasket-venue-through-pandemic/ #music #digital #benefit #Hull #Massachusetts
Our interview with Avi Loeb, author of “Extrater Our interview with Avi Loeb, author of “Extraterrestrial: The First Sign of Intelligent Life Beyond Earth.” https://buff.ly/2O3nlUd #interview #book #alien #technology #astronomy #controversy #debate #science #Boston #Massachusetts
LGBTQ+ prisoners in Mass stand up to a violent sys LGBTQ+ prisoners in Mass stand up to a violent system that targets and dehumanizes vulnerable populations. https://digboston.com/special-feature-the-cruel-and-usual-violence-against-lgbtq-people-in-mass-prisons/ #prison #prisoner #humanrights #LGBT #politics #Massachusetts
Nominations now open! Vote for your favorite busin Nominations now open! Vote for your favorite businesses today. 

Are you a business? Are you the best at what you do? Encourage your fans to cast their votes! DM us to get our social media materials to promote your business and ensure your win. #bostontops #digboston
Bill sponsors, #Framingham mayor, and MA district Bill sponsors, #Framingham mayor, and MA district attorney will explain the Work & Family Mobility Act at a press conference. https://digboston.com/driving-families-forward-coalition-aims-to-help-undocumented-attain-drivers-licenses/ #politics #undocumented #immigration #driving #license #Massachusetts
Today at 4pm, cast your votes! #digboston Today at 4pm, cast your votes! #digboston
At a virtual summit, leaders sought to educate and At a virtual summit, leaders sought to educate and engage on the need for change. https://digboston.com/officials-advocates-speak-to-immigration-reform-and-economic-recovery/ #immigration #reform #economy #politics #Massachusetts
When it comes to special packaging and limited edi When it comes to special packaging and limited editions, Jack’s Abby and subsidiary Springdale out in Framingham are top players. https://digboston.com/video-unboxing-springdale-beers-limited-edition-neipa-music-box-set/ #beer #fun
Industrial Arts Brewing in NY’s Hudson Valley is Industrial Arts Brewing in NY’s Hudson Valley is well worth the look out of state ... https://digboston.com/video-pocket-wrench-by-industrial-arts-brewing-is-a-super-satisfying-session/ #beer #fun
Load More... Follow on Instagram
Social Buttons

DigBoston facebook DigBoston Twitter DigBoston Instagram

Masthead

About

Submissions

Advertise

Privacy Policy

Customer Service

Distribution

About Us

DigBoston is a one-stop nexus for everything worth doing or knowing in the Boston area. It's an alt-weekly, it's a website, it's an e-mail blast, it's a twitter account, it's that cool party that you were at last night ... hey, you're reading it, so it's gotta be good. For advertising inquiries: [email protected] To reach Editorial: [email protected] For internship opportunities: [email protected]