Bertone, of course, is correct. Gypsy’s script is iron-clad and is generally thought of as the finest example of book writing in all of musical theater. There are other things, too, to consider when thinking about Gypsy’s significance in the grand scheme of things.
ADDICTED TO HER CHARMS
The incomparable Rachel York stars in 42nd Street
RUTHIE ANN MILES CELEBRATES SONDHEIM
The Tony-Winning Actress stars in the world premiere of a symphonic Sondheim on Sondheim with Boston Pops
THE BEST YOU’VE EVER SEEN: EUAN MORTON BRINGS HEDWIG TO BOSTON
There are a few places I can think of that really needed a safe space. I feel like the work is important, I feel like it’s not just some march through the towns dressed as Hedwig demanding equality.
LOOKING BACK WITH ANNIE GOLDEN
No, you don’t. When we’re on the set of Orange Is the New Black, we all kind of pinch ourselves; we all do the silent scream when we get on the set.
IN-DEPTH WITH JOHN WEIDMAN
Legendary book writer John Weidman comes to A.R.T. with Arrabal
AN AFFAIR TO REMEMBER
‘There’s something about this piece and the way it’s written that you just root for Robert and Francesca.’
WHAT’S FAIR IS FOUL: ‘PEERLESS’ AT COMPANY ONE
Macbeth meets Heathers in Peerless
OBJECTS OF HIS AFFECTION: MATISSE IN THE STUDIO AT MFA BOSTON
The epicenter of the exhibition, “Studio as Theatre,” is a dazzling feat of curatorial finesse and spectacular design.
20 YEARS OF LOVE: RENT AT THE SHUBERT
Actress Katie LaMark on touring the country as Maureen in Rent
