★★☆☆☆ That Eugene Onegin (both the Pushkin poem and the Tchaikovsky opera) would be considered a tale ripe for musical theaterization is not all that surprising. Oozing with romance and the ache of lost love, there are a great many innately dramatic things about the rise and fall of a cocky Russian playboy […]
THE SALONNIÈRES AIMS FOR BITING CRITIQUE, HITS DATED COMMENTARY
★★☆☆☆ It’s easy to see what the set of The Salonnières is trying to do. It’s an opulent room filled with ornate couches and chairs—Renaissance paintings hung on the walls. But the most striking aspect of this set, designed by Katy Monthei, is its boundaries. The room is set on a raised stage […]
JUST A LITTLE TOUCH OF STAR QUALITY: JARED REINFELDT SHINES IN GEORGIA MCBRIDE
★★★★☆ If the idea of a play filled with snarky references to Gypsy, the Von Trapp family, and Cat on a Hot Tin Roof sounds like something right up your alley, then there’s a hell of a good time waiting for you at Stoneham’s Greater Boston Stage Company. But if the name Frances […]
MAMA’S GONNA SHOW IT TO YOU
Bertone, of course, is correct. Gypsy’s script is iron-clad and is generally thought of as the finest example of book writing in all of musical theater. There are other things, too, to consider when thinking about Gypsy’s significance in the grand scheme of things.
