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If I do nothing else this year but spare you from suffering through Michael Walker’s bare stage, then 2019 will have been a very successful year for me.
Undeniably the most miserable, misguided, and self-indulgent play I have ever seen, ...
It’s no wonder that Kiss of the Spider Woman, Kander and Ebb’s ambitious but faulty 1992 musical, is so rarely revived. It isn’t only that the score is second rate ...
The idea of an all-male Les Liaisons Dangereuses is one that I find appealing. On paper, at least, such a concept could offer up some fascinating observations about ...
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