romantic comedy

INTERVIEW: ANDREW BUJALSKI AND THE UN-COMMERCIAL-NESS OF ‘RESULTS’

Written by JAKE MULLIGAN Posted June 10, 2015 Filed Under: A+E, Film

"All my films ultimately become place-specific. Funny Ha Ha didn’t have to be Boston—but once we were shooting it there, it became a very Boston movie."

OBNOXIOUS CROWE-ING: ALOHA IS A LONG WAYS OFF, IN MORE WAYS THAN ONE

Written by JAKE MULLIGAN Posted June 5, 2015 Filed Under: A+E, Film

Most of the film is artlessly sunny and overlit to excess, looking like a cheap painting you might find for sale at a beachfront souvenir shop.

LIBERATING RESULTS: VISUALLY REPRESENTING HOW PEOPLE MEET

Written by JAKE MULLIGAN Posted May 28, 2015 Filed Under: A+E, Film

Bujalski has replaced the hallmarks of the genre with the verbal awkwardness and spiritual messiness of real life

A WELCOME SURPRISE

Written by KRISTOFER JENSON Posted June 11, 2014 Filed Under: A+E, Film

Jenny Slate's Obvious Child is the abortion narrative cinema has been lacking

romantic comedy

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