As I wrote the script, I truly felt that it was going to be something big. What I didn’t know was that the story would go far, but without me or my consent.
SPECIAL GUEST COLUMN: THE RIP OFF
The Bronx
ANGELS AND ASSHOLES: PLAYWRIGHT HEIDI SCHRECK ON ‘GRAND CONCOURSE’
"You make a kind of reactionary choice and then find yourself living it out for decades before you start to examine where the choice really came from."
