A range of views from readers
EDITORIAL: WHY SO MUCH CULTURAL REHASH?
Is the decades-long economic crisis for working people leading to less relevant art?
EDITORIAL: THE ARTS SPEECH
DigBoston wants to hear from Boston-area neighborhood artists and arts reporters Every few months, we start a new intern cohort at DigBoston. And since we’ve taken to accepting larger numbers of interns—we currently have 16 for the summer—inevitably several are arts reporters. Naturally, we want reporting interns to know what we expect of […]
QUEERS TO THE FRONT
Queer Vietnamese Artists Showcase Work at Vănguard Retrospective Exhibition Aiden Nguyễn grew up in Dorchester, and for years he struggled to find a community of people like himself: queer and Vietnamese. Nguyễn said that he initially didn’t feel comfortable embracing his queerness because he couldn’t find support or resources. After graduating from […]
HOW TO DO PHOTOGRAPHY AND ILLUSTRATION FOR DIGBOSTON
In “an age of ubiquitous images” At the start of this year, I wrote an editorial on how to write for DigBoston that proved quite popular and led to an increase in the number of article pitches we get from freelance journalists weekly. But it also led a growing number of photographers and […]
CARRIE MAE WEEMS SOLO SHOW IMPRESSES AT BOSTON COLLEGE
Strategies of Engagement at McMullen Museum of Art Our current political storm is exposing how few people (myself included) have a solid knowledge of the history of racism in America. Books like The Strange Career of Jim Crow, On the Duty of Civil Disobedience, or Hope in the Dark are replacing the navel-gazing […]
IMAGINING AN AFTER
Exploring the Museum of Capitalism I was looking and looking for a quote that I thought was from the philosopher Wittgenstein about how difficult—how structurally impossible it is—to analyze a cultural phenomenon from inside of it, but I was never able to find the quote and am now not even sure it was […]
GALLERY REVIEWS 5.10.18
Pilgrims, Feeling of a Feeling, and Art in the Age of the Internet Chuck Webster: Pilgrims: Drawings 2017-2018—Steven Zevitas Gallery The naivete in Chuck Webster’s work is misleading. What looks like pan watercolors and marker doodles on sheets of bond is shellac-based inks on vintage paper. The noodly line work comes from the […]
GALLERY REVIEWS 4.10.18
Playtime, Drawn, & Questions and Answers Playtime—Peabody Essex Museum You know that you’re in Playtime from the squealing emanating from one of Martin Creed’s two pieces in the show, Work No. 329 (2004). The installation, following the artist’s precise instructions to “fill latex balloons with half of the air in a given space […]
GALLERY REVIEWS 2.22.18
Inventur, Culture Hustlers, and Sandrine Schaefer Inventur: Art in Germany, 1943-55—Harvard Art Museums Five years in the making, Inventur examines German artistic production in the decade-plus of recovery after World War II. It takes its name from a Günter Eich poem that describes his meager belongings, including a “precious nail / I keep concealed […]
