An interview with David Sedaris Calypso, humorist David Sedaris’ tenth book, was released last May to rave reviews. A (reliably) hilarious collection of essays, it’s notable for its darker outlook – still funny, but not blind to the realities of growing old in the Trump era. I caught up with Sedaris as he […]
THE BOYS’ CLUB: WOMEN, FILM CRITICISM, AND THE FIGHT FOR VISIBILITY, ON SCREEN AND OFF
“I was either a student, or very young reporter or critic, and I could see I was maybe one of two, or one of three women, [and] one of the only women of color.”
WHO I WRITE FOR: A MEDITATION
Like pretty much every journalist, I think about who I am writing for* from time to time. Most writers aren’t just sending messages into the ether, after all. Unless they are writing for therapeutic reasons. Or they are diarists. But even diarists are typically writing for some future audience they have in mind. Be […]
EDITORIAL: HOW TO WRITE FOR DIGBOSTON
To start the new year, I thought it would be helpful to discuss the question we get most often from our readers: “How can I start writing for DigBoston?” Our answer is simple at base. You get an idea for an article. You tell my colleagues and me about your idea via email. We […]
AN EXCERPT FROM WRITERS RESIST 2018
“Their writing enriches our communities, and their voices represent the breadth of our city. Above all, their work sharpens our resolve to protect our right to an inclusive and free press.”
Q&A: THE PROCESS BEHIND ‘PROCESS’
“It turns out that I’m super-regimented in the face of a serious deadline like this one, even though the hysteria and panic linger close to the surface.”
EXCERPT: THE WRITING LIFE OF DAVID FOSTER WALLACE
Part of a draft of The Pale King was written in a notebook with a character from the animated TV series Rugrats on the cover, another in one featuring a photo of kittens.
