
"Big Worlds is a different type of gap bridging than our day-to-day programs because it puts our young people on stage next to artists they look up to in front of relatively large audiences."
The Dig - Greater Boston's Alternative News Source
Written by DIG STAFF Filed Under: Interviews, MUSIC
"Big Worlds is a different type of gap bridging than our day-to-day programs because it puts our young people on stage next to artists they look up to in front of relatively large audiences."
Written by DIG STAFF Filed Under: Interviews, MUSIC, Notes from the Scene, Reviews
Both directed by Jay Hunt of Smoke House Media, they’re back-to-back proud Boston bangers with enough fuel to power the region through the winter and spring until we get the next crop of summer anthems.
Written by NINA CORCORAN Filed Under: MUSIC, Notes from the Scene
Our guide to Boston-based music charities, nonprofits, and organizations that could use a donate or two during the holiday season.
Written by NINA CORCORAN Filed Under: Interviews, MUSIC, Notes from the Scene
Meet the Boston rapper who’s repping old-school hip-hop in the vein of A Tribe Called Quest at just 20 years old.
Written by NINA CORCORAN Filed Under: MUSIC, Notes from the Scene
East Boston nonprofit ZUMIX gives back with free music and a side of activism this Friday.
Written by NINA CORCORAN Filed Under: MUSIC, Notes from the Scene
A friendly reminder that Boston is a city that runs on cyclical demolition and rebirth. Counterculture never left.
Written by NINA CORCORAN Filed Under: Interviews, MUSIC
Local rock act and newfound synthpop group talk age differences, music education, and the pros of Boston.
Written by NINA CORCORAN Filed Under: MUSIC
Help keep multi-generational radio on air as it moves to a dial near you.
Written by NINA CORCORAN Filed Under: MUSIC, Notes from the Scene
Enjoy live jazz, radio tours, and teen-produced segments at youth-centered non-profit ZUMIX. Did we mention it's free?
Written by CHRISTOPHER EHLERS Filed Under: A+E, Performing Arts
Obehi Janice stars in We’re Gonna Die at OBERON