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Dig Bos

The Dig - Boston's Only Newspaper

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DIG Year End 2020

WOODS + COUNTRY: TWO DYNAMITE EXHIBITIONS OPEN AT THE PEABODY ESSEX MUSEUM

Written by SUSANNA JACKSON Posted October 13, 2014 Filed Under: A+E

Photo By Jo Ractliffe

Before we get to the meat and potatoes of Peabody Essex Museum’s two new exhibitions, let us declare that a trip on the commuter rail to Salem can take less time than getting from the depths of Somerville to Jamaica Plain, or from Dorchester to parts of Cambridge. This is important, because both Someone Else’s Country by Jo Ractliffe and The Woods by Candice Breitz are worthy of your patronage.

In a mezzanine gallery with hardwood floors, glossy banisters, and careful lighting, Someone Else’s Country features nearly forty black and white photos of post-war Angola. Barren roads, unmarked graves, and shantytowns are among the images Ractliffe captured in her four year project, but, unlike wartime photography, the images captured aren’t violent or harsh. Her subjects, both people and places, are transient, upended, recovering, and scarred. Often times the sparse compositions are serene, but the placards that bare descriptions of each work juxtapose the tranquility with the turbulent history. Accompanying a stunning landscape of a cliff, the note tells the tale of persons being thrown to their death during the 27-year war.

Photo By Jo Ractliffe
Photo By Jo Ractliffe

In a panel discussion with the artists this past Thursday, PEM curator Trevor Smith aptly remarked that both projects reach “beyond the level of media representations,” which is perhaps the only element — aside both being the works of South African women — that unites the simultaneous shows.

The Woods consists of three video installations featuring child actors of Hollywood, Bollywood, and Nollywood. Darkly comedic, Breitz’ project weaves together narratives of child stars and hopefuls as a way to examine how mainstream cinema impacts identity formation. Using children to parrot parents, managers, and movie stars — an assortment of contradictory quotes on fame from Shah Rukh Kham makes up the script for the Bollywood’s segment — Breitz illuminates the influence mass media has on shaping individual’s goals and dreams, and therefore society. It’s as engaging as it is unsettling.

Candice Breitz, Stills from The Interview, 2012. Shot at Wheatba

In the panel conversation that preceded the opening of the galleries, Brietz discussed her focus on the film industry. “I think that for most people, an afternoon spent with culture means going to a stadium to watch a game, or going to the cinema to watch a movie,” she said. “I’m interested in what it is that that cultural experience offers and how this has come to be our mainstream—our primary form of gathering messages about ourselves, stories about ourselves which are shared and distributed.”

Looking around the room, she adds, “For most people, our culture is not a trip to a museum.”

aesplash
Photo By Mumta Murthy

SOMEONE ELSE’S COUNTRY + THE WOODS. PEABODY ESSEX MUSEUM, EAST INDIA SQUARE, SALEM. ON VIEW THROUGH SPRING 2015. FOR ADMISSION AND MUSEUM HOURS, VISIT PEM.ORG

SUSANNA JACKSON
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Filed Under: A+E Tagged With: Breitz, Candice Breitz, Jo Ractliffe, Peabody Essex Museum, PEM, Ractliffe, Salem, Shah Rukh Kham, Someone Else’s Country, The Woods

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DigBoston is a one-stop nexus for everything worth doing or knowing in the Boston area. It's an alt-weekly, it's a website, it's an e-mail blast, it's a twitter account, it's that cool party that you were at last night ... hey, you're reading it, so it's gotta be good. For advertising inquiries: [email protected] To reach Editorial: [email protected] For internship opportunities: [email protected]