• Skip to main content
  • Skip to primary sidebar
  • Skip to footer
  • HOME
  • NEWS+OPINIONS
    • NEWS TO US
    • COLUMNS
      • APPARENT HORIZON
      • DEAR READER
      • Close
    • LONGFORM FEATURES
    • OPINIONS
    • EDITORIAL
    • Close
  • ARTS+ENTERTAINMENT
    • FILM
    • MUSIC
    • COMEDY
    • PERFORMING ARTS
    • VISUAL ARTS
    • Close
  • DINING+DRINKING
    • EATS
    • SIPS
    • BOSTON BETTER BEER BUREAU
    • Close
  • LIFESTYLE
    • CANNABIS
      • TALKING JOINTS MEMO
      • Close
    • WELLNESS
    • GTFO
    • Close
  • STUFF TO DO
  • TICKETS
  • ABOUT US
    • ABOUT
    • MASTHEAD
    • ADVERTISE
    • Close
  • BECOME A MEMBER

Dig Bos

The Dig - Boston's Only Newspaper

MERRY AND BRIGHT(ER): THE NUTCRACKER RETURNS

Written by CHRISTOPHER EHLERS Posted December 10, 2015 Filed Under: A+E, Performing Arts

 

Photo by Liza Voll
Photo by Liza Voll

Of all the enduring holiday traditions, none are quite so beloved and magical as The Nutcracker. Mikko Nissinen’s spectacular production for the Boston Ballet turns four this year and has arrived at the Boston Opera House with a distinctive new glow: Award-winning Finnish lighting designer Mikki Kunttu has been brought on board to provide the production with a brand-new lighting design.

 

“I have worked twice before with Mikki, and I find him absolutely extraordinary,” Nissinen said. “We just premiered this production three years ago and in order to really maintain it and move it forward, of course with the quality of dancing, but also with a different concept of lighting design. We felt this was the right time.”

 

With a company of 68 dancers and more than 200 Boston Ballet School students featured in the production, The Nutcracker is no small feat. Finding ways to keep the production fresh is of great importance to Nissinen, not only for obvious reasons, but also because The Nutcracker is often a gateway into the world of ballet for many audience members. “We have to serve that purpose,” Nissinen said.

 

Although Kunttu is one of the busiest, most respected lighting designers in the industry, this is his very first Nutcracker. His work can be seen across multiple genres: dance, theater, music, opera, and television. He collaborated with Nissinen and the Boston Ballet twice before, for Marius Petipa’s Sleeping Beauty in 2005 and Jorma Elo’s Carmen in 2006. “It’s fantastic to be back at Boston Ballet,” Kunttu told me by phone from his hotel room at the Ritz. “It’s one of my favorite companies in the whole world. Amazing people, and I love the city. And I get to see great hockey here also!”

 

During the course of our conversation, one thing left me particularly astonished: Kunttu designed the entire production on a computer from his studio in Finland; his design wasn’t seen on stage—by anyone—until the tech run-throughs the week before Thanksgiving.

 

Kunttu works off of things like sketches of the costumes and sets, which he builds in 3D on a computer. “Not all of the things you can really, really do in a virtual model,” he said. “Some lights just don’t look real if you do it in 3D, so a lot of things are left to be done on stage.”

 

At the time that I spoke to Kunttu, the technical rehearsals hadn’t yet occurred. I was eager to learn just how smoothly—or not—the process of inserting a brand new lighting design that had been designed virtually had gone. By the time I talked to Nissinen, The Nutcracker had been in performances for about a week: “My God, it changed and evolved all through the dress rehearsal,” he said. “It just crystallized his vision of it. Everybody’s super happy.”

 

I supposed that it might be more challenging to work a new lighting design into an existing production rather than collaborate with the other designers for a brand-new production, but Kunttu actually finds the opposite to be true: “When you have a starting point like this, an existing production, it’s easier to start because you have a video to look at and a reference for all of the action,” Kunttu said.

 

His biggest challenge, however, was doing Robert Perdziola’s gorgeous and lavish sets justice: “The set design is so fantastic, so that puts a lot of pressure on my shoulders, that I’m lighting it the way it deserves to be lit,” he said. “I want to make it as exciting as possible.”

 


MIKKO NISSINEN’S THE NUTCRACKER. RUNS THROUGH 12.31 AT THE BOSTON OPERA HOUSE, 539 WASHINGTON ST., BOSTON. BOSTONBALLET.ORG/NUTCRACKER

Author profile
Christopher Ehlers
CHRISTOPHER EHLERS

Theater critic for TheaterMania & WBUR’s TheArtery | Theater Editor for DigBoston | film and music critic for EDGE Media | Boston Theater Critics Association.

Related posts
  • CHRISTOPHER EHLERS
    https://digboston.com/author/christopher-ehlers/
    In Boston and on the Common, the Collaboration’s the Thing
  • CHRISTOPHER EHLERS
    https://digboston.com/author/christopher-ehlers/
    DIG THIS: SPRING ARTS PREVIEW EDITION
  • CHRISTOPHER EHLERS
    https://digboston.com/author/christopher-ehlers/
    SUPER SOAKERS: 10 MOISTURIZERS FOR THE DOG DAYS OF SUMMER
  • CHRISTOPHER EHLERS
    https://digboston.com/author/christopher-ehlers/
    FILM REVIEW: OSCAR-NOMINATED SHORTS 2021

Filed Under: A+E, Performing Arts Tagged With: Boston Ballet, Boston Opera House, Mikki Kunttu, Mikko Nissinen, The Nutcracker

WHAT’S NEW

Trump-Loving Mass Republican Party Freaks Out Over Mar-a-Lago Raid

Trump-Loving Mass Republican Party Freaks Out Over Mar-a-Lago Raid

Governor’s Council Weighs Controversial Parole Board Renomination

Governor’s Council Weighs Controversial Parole Board Renomination

Bay State Gas Providers Pay Up

Bay State Gas Providers Pay Up

State Wire: Mass Needs to Reform Youth Restitution Policies

State Wire: Mass Needs to Reform Youth Restitution Policies

“Pie” by Eric Ferdinand is licensed under CC-BY 2.0

Share and Share Alike: Major Funders Need to Give Equally to All Nonprofit News Outlets

The T Will Stay Broken Because Poor and Working People Are Seen As Expendable 

The T Will Stay Broken Because Poor and Working People Are Seen As Expendable 

Primary Sidebar

Advertisement

FEATURED EVENT

Most Popular

  • The T Will Stay Broken Because Poor and Working People Are Seen As Expendable 
  • Meet the Phantom Behind Greater Boston’s Awesome Food Feed Everybody Gotta Eat
  • Inside the Bay State’s Legendary (and Only) One-Man Brewery
  • Boston Gets Police Commissioner Who Bad Cops Likely Loathe. Let’s See How This Goes
  • Worcester’s Wasteful, Never-Ending War on Police Transparency

Footer

Social Buttons

DigBoston facebook DigBoston Twitter DigBoston Instagram

Masthead

About

Advertise

Customer Service

About Us

DigBoston is a one-stop nexus for everything worth doing or knowing in the Boston area. It's an alt-weekly, it's a website, it's an e-mail blast, it's a twitter account, it's that cool party that you were at last night ... hey, you're reading it, so it's gotta be good. For advertising inquiries: [email protected] To reach Editorial (and for inquiries about internship opportunities): [email protected]