“In the modern-day world we see photography as very quick, very instantaneous and immediate. But in reality this kind of photography takes a lot of patience, a lot of setup, different lenses and lighting that make it more complicated. “
ARTS + ENTERTAINMENT
BUS A MOVE: JORDAN HANDREN-SEAVEY ON HIS UNIQUE MEANS OF TOURING
“One day here the office could be a beach, and on another day it could be the Grand Canyon.”
BOOKS: THE ULTIMATE BOND
A Q+A with David Gessner about his high-flying Frisbee tome
BRIDGIN’ GAPS: CULTUREFEST FOR HOMELESS CLEANS UP (GTFO: SALEM)
“Wait, homeless people doing this for the community, not community service?”
MORE THAN MURALS (GTFO: NORTH SHORE)
These artists transformed the face of Downtown Lynn—now go and check out their work
PINCH MINI!
Boston’s Alternative to Punch Buggy So you’re tooling around town on a summer evening with nothing to do, but you’re sick of playing Punch Buggy—the ancient game where you shout “PUNCH BUGGY” and the color of any Volkswagen Beetle you see… followed by a (mock) punch to whatever part of any nearby companion’s anatomy […]
WHAT’S FOR BREAKFAST? HOMEWORK
THE STRANGERER
SHEA ROSE & SIMONE SCAZZOCCHIO: ON CURATING RISE AT THE GARDNER
“The first thing we try to understand is the flexibility with the artist or the band. It’s a unique hall; it’s tuned for orchestral music, so some band or artist is going to have a different kind of performance because the space allows for that.”
TALKING (AND) FRAMING: AN INTERVIEW WITH ELSA DORFMAN AND ERROL MORRIS
“There was a huge amount of playfulness in the making of the movie. It didn’t necessarily come out frame after frame. But our teamwork, let’s say, or our just hanging out, was an important part of how it evolved.”
