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>> Home / THE CHERRY ORCHARD

YEAR IN REVIEW: STAGE SPOTLIGHT

December 30, 2014 By SUSANNA JACKSON and SPENCER SHANNON

A look at 2014’s most memorable Boston theater experiences.

Filed Under: A+E, Performing Arts Tagged With: A.R.T., ACTORS’ SHAKESPEARE PROJECT, Aditi Kapil, American Rep, Anton Chekov, ArtsEmerson, Brahman/i, Bridge Repertory Theater, Choreography, Company One, David R. Gammons, Displaced Hindu Gods Trilogy, dysphoria, Finding Neverland, Founder’s Hall of Pine Manor College, gender identity, harvard, Hello Again, Hungtington Theatre Company, intersectionality, Isango Ensemble, John Kuntz, Jonathan Bernstein, Lydia R. Diamon, M. Bevin O’Gara, Mark Dornford-May, Melia Bensussen, Michael Bello, Mozart, Necessary Monsters, Peter DuBois, post-colonialis, Quincy Beth Harris, race relations, Smart People, SpeakEasy Stage Company, Susan Misner, THE CHERRY ORCHARD, The Shape She Makes, theater

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THE CLIMATE MOVEMENT TO COME: HOW CAN WE BUILD THE MAJORITARIAN SOCIAL FORCE WE

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A BIG WIN FOR SMALL CANNABIS BUSINESSES

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THE LEGAL BATTLE BETWEEN ‘THE TOKING DEAD’ AND ‘THE WALKING

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