The Gardner theft’s biggest question mark
A+E
MASKING THE APOCALYPSE: MR. BURNS, A POST-ELECTRIC PLAY
Authentic Italian mask making, with a touch of yellow
MAD MEN, AD WOMAN: ON JEAN-LUC GODARD’S “MARRIED WOMAN”
Jean-Luc Godard’s Married Woman gets a revival
BECOMING MIRANDA
Actress Meredith Forlenza stars in Can You Forgive Her?
GOOD FORM, BAD CHOICES: ON KARYN KUSAMA’S DINNER-THRILLER “THE INVITATION”
On The Invitation, Karyn Kusama’s dinner-party killer-thriller
ONCE MORE, WITH EDGE: AISSLINN NOSKY
A conversation with Aisslinn Nosky
SHINE A LIGHT: ON “MIDNIGHT SPECIAL” AND ITS BRAND OF SEEING
It begins in a motel room, a cinematic shorthand that tells you things aren’t quite right for the characters staying there.
JUST IN TIME: ON RICHARD LINKLATER’S “EVERYBODY WANTS SOME!!”
Richard Linklater’s latest comedy is another of his time capsules
SIZING UP THE SEASON
Big plans ahead for local theaters
STILL B.U.F.F.: GUIDE TO THE 2016 BOSTON UNDERGROUND FILM FESTIVAL
Your Guide to the 2016 Boston Underground Film Festival