The Dig - Greater Boston's Alternative News Source
Inspired by the now infamous case of the Colorado baker who refused to bake a wedding cake for a gay couple, Bekah Brunstetter uses that basic conflict as a jumping off point for The Cake ...
If ever there was a musical that embodied the notion of “the little musical that could,” it would be Little Shop of Horrors, the kooky 1982 Off-Broadway musical that ...
The Little Foxes cuts straight into the heart of American morality at a time when the nation is at a turning point. With women striving for recognition, shifting racial politics creating visible friction and ...
“Maybe we shouldn’t use the B-word?”
The ways a group of teenage girls treat each other is often at the forefront of The Wolves. In the Lyric Stage production ...
The Front Porch Arts Collective raised a few eyebrows this past spring when its name was found in the season announcements of three prominent Boston theater companies: Central Square Theater, Greater Boston Stage Company, and the Lyric Stage, Boston’s ...
The hard truth about Boston is that it’s a fairly racist city. It’s evident in its social dynamics and made painfully (in)visible in its cultural scene. At least Dawn M. Simmons, the artistic director of the city’s first black-led professional theater ...
Few modern musicals match the wit, heart, and craft of Hairspray, and Jeff Whiting’s production for North Shore Music Theatre is a mostly excellent reminder of just how ...
It’s no wonder that Kiss of the Spider Woman, Kander and Ebb’s ambitious but faulty 1992 musical, is so rarely revived. It isn’t only that the score is second rate ...
In The Waste Land, T.S. Eliot wrote that April is the cruellest month.
And while he most certainly wasn’t talking about Boston theater, the same sentiment could be applied to the unusually shallow offerings popping up around town.
Aside from Moonbox’s ...
It’s not exactly a secret that Road Show isn’t a very good musical.
The Stephen Sondheim-John Weidman musical has undergone reinvention after reinvention—and title change after title change—from its 1999 premiere as ...
