A vaulted dispatch from the first time Termanology and Slaine recorded together
FOTOBOMB: 2016 BOSTON FREEDOM RALLY
With legalization looming, another glorious bonanza
TALES OF THE TAPE: TOURING HOUSTON’S RAP SCENE WITH LANCE SCOTT WALKER TALES OF THE TAPE: TOURING HOUSTON’S RAP SCENE WITH LANCE SCOTT WALKER
“I’ve talked to so many people that knew him and they always tell me the same thing. DJ Screw made them feel like they were his best friend.”
‘SEA OF GREEN’: THE MOVIE MASS RAP AND WEED FANS HAVE BEEN WAITING FOR, AND IN SOME CASES MAY ACTUALLY APPEAR IN
There are far too many cameos to mention, but hip-hop fans won’t be disappointed by the soundtrack or the Name Game you can play as subterranean legends surface in all scenes.
WHEN THE MOB RAN RAP MUSIC IN BOSTON: TDS MOB WAS THE HUB’S FIRST HUGE HIP-HOP HOPE …
I interviewed Kool Gee the day after he rocked Wally’s. At his request, we met at the place where the TDS Mob story begins—the stoop of the old Tower Records on the corner of Newbury Street and Mass Ave. From there, he took me back to 1989, when TDS ran the calendar with a year of rap perfection.
LAWTOWN’S FINEST: THE LYRICAL RISE AND TRAGIC DEATH OF MASS RAP LEGEND SCIENTIFIK
“He was gone before his time … People didn’t really get to experience his full potential like we did … He was right on the cusp of doing some even bigger stuff musically [that] could have been commercially successful.”
THE UNTOLD STORIES OF HUB HIP-HOP
Like so much history about communities of color, the narrative of Boston hip-hop has been largely buried, ignored, forgotten. Thankfully, there remain innumerable artists, writers, fans, and even academics who, in the storytelling tradition rap music is rooted in, have kept dope alive via marvelous multimedia tributes. This whole package is dedicated to them.
LAWTOWN’S FINEST: THE LYRICAL RISE AND TRAGIC DEATH OF MASS RAP LEGEND SCIENTIFIK
“He was gone before his time … People didn’t really get to experience his full potential like we did … He was right on the cusp of doing some even bigger stuff musically [that] could have been commercially successful.”
