At the core of the exhibit is a meditation on our addiction to self-archiving, and the separate selves that we create and immortalize within the infinite spaces of our connected networks.
Matthew Ritchie closes his expansive ICA residency with an immersive multimedia performance.
After a protracted battle with city licensing boards over permits, the gallery space is shutting down operations effective immediately after less than a year in existence.
"I think that there are many voices waiting to be heard within the arts ..."
Adriana Varejão’s paintings bleed. Torn maps bulge with exposed gore and the organs that lay beneath the leathery surface. Pools of blood spill across clean, orderly tiles, devoid of any human presence. ...
Violence and race relations on display in new ICA exhibit by Adriana Varejão.
Pat Falco’s project “Untitled November,” leads us to Dwight Street, where we hop into a dumpster together to view a snide piece about “AFFORDABLE HOUSING.” Eschewing art world clichés, he strives to present and create work that is approachable, humorous, and, perhaps above all, honest.
Eschewing art world clichés, he strives to present and create work that is approachable, humorous, and, perhaps above all, honest.
If you're a student who blew through your semester’s savings by the end of September, someone who hands over each paycheck directly to their landlord, or someone busy working to find work, sneezing next to one of greater Boston's many arts institutions can feel like an overdraft threat to your bank account. That should’t be the case, and in many instances, it’s not.
If your schedule doesn't align with the Harvard Art Museums' opening celebration freebies, there are still a couple of ways for your shoes to be among the first to scuff the floors on the cheap.