
At the core of the exhibit is a meditation on our addiction to self-archiving, and the separate selves that we create and immortalize within the infinite spaces of our connected networks.
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Written by SPENCER SHANNON Filed Under: A+E, Visual Arts
At the core of the exhibit is a meditation on our addiction to self-archiving, and the separate selves that we create and immortalize within the infinite spaces of our connected networks.
Written by SUSANNA JACKSON Filed Under: A+E, Visual Arts
Matthew Ritchie closes his expansive ICA residency with an immersive multimedia performance.
Written by MARTIN CABALLERO Filed Under: A+E, Visual Arts
After a protracted battle with city licensing boards over permits, the gallery space is shutting down operations effective immediately after less than a year in existence.
Written by SUSANNA JACKSON Filed Under: A+E, Visual Arts
"I think that there are many voices waiting to be heard within the arts ..."
Written by SPENCER SHANNON Filed Under: Visual Arts
Adriana Varejão’s paintings bleed. Torn maps bulge with exposed gore and the organs that lay beneath the leathery surface. Pools of blood spill across clean, orderly tiles, devoid of any human presence. ... read more
Written by SPENCER SHANNON Filed Under: A+E, Visual Arts
Violence and race relations on display in new ICA exhibit by Adriana Varejão.
Written by SCOTT MURRY Filed Under: A+E, Visual Arts
Pat Falco’s project “Untitled November,” leads us to Dwight Street, where we hop into a dumpster together to view a snide piece about “AFFORDABLE HOUSING.” Eschewing art world clichés, he strives to present and create work that is approachable, humorous, and, perhaps above all, honest.
Written by SCOTT MURRY Filed Under: Visual Arts
Eschewing art world clichés, he strives to present and create work that is approachable, humorous, and, perhaps above all, honest.
Written by SUSANNA JACKSON Filed Under: Visual Arts
If you're a student who blew through your semester’s savings by the end of September, someone who hands over each paycheck directly to their landlord, or someone busy working to find work, sneezing next to one of greater Boston's many arts institutions can feel like an overdraft threat to your bank account. That should’t be the case, and in many instances, it’s not.
Written by SUSANNA JACKSON Filed Under: A+E, Visual Arts
If your schedule doesn't align with the Harvard Art Museums' opening celebration freebies, there are still a couple of ways for your shoes to be among the first to scuff the floors on the cheap.