No matter which performance of hers remains closest to your heart—the studio-perfected bass of “You Know I’m No Good” or the mascara-smeared flair of her Glastonbury set—Amy will reset your appreciation of her work and, more importantly, of her as a person.
Do you want another dumpy white dude playing acoustic guitar and singing about his girlfriend? No, let’s go far out.
Record Store Day is a bit of a clusterfuck now.
Run For Cover is a weekly music column comparing cover songs to the original version. Prepare for a major bending of rules as we hear musicians throw around genres, tempos, style, and intent. Whether they’re picking up another’s song out of respect or boredom, the results have impressed us. There are a dozen quotes […]
Photo By Connor Olthuis Since forming in 2010, Toronto-based jazz trio BADBADNOTGOOD have released three albums, played international festival stages, helped score RZA’s kung fu flick The Man With the Iron Fists, and served as the weekend band-in-residence at Coachella. And yet, even with their robust CV, the band—Matthew Tavares (keys/synth), Alexander Sowinski (drums) and […]
Flying Lotus, like Thundercat, is proof that the easiest way to be cool is to be good at what you do.