“There was a huge amount of playfulness in the making of the movie. It didn’t necessarily come out frame after frame. But our teamwork, let’s say, or our just hanging out, was an important part of how it evolved.”
RUMBLECORE: ALLSTON TO BE HIGHLIGHTED IN NEW FILM GUTTERBUG
This summer, director Andrew Gibson will begin work on a gritty indie drama with music from Nice Guys, Black Beach, The Symptoms, and more.
TRASHING THE THEATER
What sets Trash Night further apart from similar “B movie + commentary” screenings is its welcoming, egalitarian nature.
THE LONG JOURNEY HOME
A new film aims to shatter stigmas around public housing
SPECIAL PREVIEW: INDEPENDENT FILM FESTIVAL BOSTON 2017
The nonprofit film series is entering its 15th year, and its 2017 iteration is spread across more than three screening locations, with programming that includes features, short films, fiction and nonfiction, panels and parties, innumerable filmmakers in person, all the works.
RICK OF TIME: SEX, LIES, AND ROCK ‘N ROLL IN “RICKI AND THE FLASH”
Cody’s script is mining laughs from the faux-pas traded between 20-somethings who care about going green and a child of the ’60s who’d rather be smoking it.
MAGIC HOUR: SOME THOUGHTS ON MAGIC MIKE XXL
You don’t watch it, you ride it.
ZOOM-ZOOM: ON THE FILMS OF EDGAR WRIGHT
The beauty of these films isn’t always what they say—it’s how they sing.
HEY ‘PAH
It’s no leap to say that the conversations we’re having now about sexism and gender representation—in art and in life—are growing perpetually louder. So when we look back at Sam Peckinpah, who directed masculine-minded genre pictures defined by their resolutely cruel tone, we look with a microscope: Was he getting off on the explicit violence? […]
DOPE INTERVIEW: “DOPE” STAR SHAMEIK MOORE ON SUDDEN STARDOM AND THE SWAG GAME AT SUNDANCE
When we asked if he was concerned he’d been seen as an actor-first, musician-second, he (no hesitation) compared himself to Drake.
