“The Naturals” takes the traditionally hypermasculine crime genre and turns it on its head, placing a queer female lead at its center and making her the driver of the action.
SUGAR HIGH: THE CONFIDENCE AND CROCS OF IAN SWEET
Ian Sweet talks finding your freak voice in a sea of jazzy Berklee kids.
SKIPPING STONES: MUTUAL BENEFIT TALKS SOPHOMORE STRESSORS AND BROOKLYN BUSTLE
The ex-Jamaica Plain project talks New York City apartments, moments of clarity, and how to maintain folk’s intimacies.
THROWING A TIFF: DISPATCH FROM THE TORONTO INTERNATIONAL FILM FESTIVAL
Here’s your take on Day 1 and 2 of #TIFF
SNEAKY SOUNDS: SAY HELLO TO BOSTON’S NEW CONVERSE RUBBER TRACKS STUDIO
Converse Rubber Tracks just opened a brand new studio in Lovejoy Wharf for bands to use… for free.
DO THE RIGHT THING: THE HORROR SHOW FRAMING THE KILLING OF USAAMAH RAHIM
His family wanted to get their story on the record, and it was no surprise.
FOTOBOMB: SPEEDY ORTIZ AT THE SINCLAIR 4/22
Based on the energy on and off stage, the tour is off to a fantastic start.
LADY LAMB JAMBS: STICKING TO HER GUNS WHILE STAYING ACCESSIBLE
Today’s mainstream pop typically consists of a dozen co-writers for predictable songwriting and unnaturally overproduced crap music, but Lady Lamb is proving to be an exception to that rotten rule.
BURY ME, MITSKI: COUNTING 45 WAYS TO BE OF USE TO THE WORLD
She bravely fronts her band, wields a bass, and sings her guts out.
REVIEW: A SUNNY DAY IN GLASGOW AT GREAT SCOTT
The ’80s may have been a while ago, but A Sunny Day in Glasgow are giving today’s generation the scope of shoegaze they thought they would never see live.
