The Dig - Boston's Only Newspaper
It’s rare treat for filmgoers to experience a film that dodges labels as effectively as Snowpiercer. “Post-apocalyptic” doesn’t capture the tone. “Sci-fi” misplaces your suspension of disbelief. “Claustrophobic” misses the scope. “Exciting” softens its intensity. ...
Jenny Slate's Obvious Child is the abortion narrative cinema has been lacking
"My theory is that all humor is human."
DOWNTOWN SATURDAY NIGHT
Unh Unh Her
I may never fully appreciate the Christmas spirit, but I can help you get some perspective on yours.
Some say it’s good, some say it’s bad, but nobody says it’s great.
I interviewed Kool Gee the day after he rocked Wally’s. At his request, we met at the place where the TDS Mob story begins—the stoop of the old Tower Records on the corner of Newbury Street and Mass Ave. From there, he took me back to 1989, when TDS ran the calendar with a year of rap perfection.
War is H-E-Double-Hockey-Sticks
