Mass rideshare, delivery, and real estate industries gearing up propaganda campaigns to convince working people to vote against our own interests
BEWARE ASTROTURF GROUPS
propaganda
THERE IS NOTHING ‘VOLUNTARY’ ABOUT WORKING BAD JOBS
A brief defense of AOC’s critique of billionaires
DON’T FALL FOR PROPAGANDA, VOTE BASED ON FACTS
In the 2020 election, working voters need to focus on candidates’ platforms… and actions
EDITORIAL: WHY ADVERTISE WITH DIGBOSTON?
To support independent journalism and beat back marketing propaganda, for starters
Many people have taken to loudly bemoaning the supposedly sudden arrival of “fake news” since the 2016 presidential election… while becoming belatedly aware of the accompanying slow decline of print newspapers that are—whatever else one might say ...
GE BOSTON DEAL: THE MISSING MANUAL
Some of the many details the corporate media isn’t telling you.
LEFT BEHIND: THE PARIS ATTACKS AND THE NEED TO FUND A MASS INDEPENDENT AMERICAN NEWS MEDIA
News Corp succeeds in pulling public discourse far to the right in the absence of major outlets willing to confront them when it matters most.
THE PROTESTS ARE ONLY BEGINNING; MIGHT AS WELL GET TO KNOW THE ACTIVISTS BLOCKING TRAFFIC AROUND BOSTON
Images by Chris Faraone unless otherwise noted
First some disclaimers for positive measure …
This post is not intended to suggest or imply either bonds or divisions between movements or organizations. Members of some groups we included may have ideological differences with ...
MEDIA FARM: WHY IS THE BOSTON GLOBE PRETENDING THAT POLICE VIOLENCE DOESN’T HAPPEN IN MASSACHUSETTS?
Image of stop-and-frisk outside the Boys & Girls Club on Talbot Ave in Dorchester (Nov. ’14)
Just a few months ago, the Boston Globe informed us of an ACLU study about the epidemic of stop-and-frisk in the Hub. From their reporting:
Boston police officers disproportionately ...
MOCKINGJAY, OR THE TEENAGER’S GUIDE TO PROPAGANDA AND REVOLUTION
It’s a teenager’s guide to propaganda and revolution, but for those who are familiar with these narratives, its lesson feels heavy-handed, like a fictional—but not exactly literary—application written specifically for a history book.
