As the lone remaining leaf on the street in some neighborhoods and corners, we promise to take the responsibility that comes with that seriously.
SLOW NEWS NEVER: HOW TO FOLLOW AND CONSUME (MORE) LOCAL NEWS IN GREATER BOSTON IN 2020
I want to revisit the extent to which you, DigBoston readers, can help us in the reporting and also the news dissemination process.
AN ORAL HISTORY OF THE DIG: VOL. II, EPISODE 11 (2004 – 2007)
“Sure! I’ll run into an abandoned subway tunnel for a freelancer I just met! No problem!”
AN ORAL HISTORY OF THE DIG: VOL. II, EPISODE 10 (2004 – 2007)
“It was kind of a perfect storm moment. Gay marriage was on the ballot. When you get a cover like that, it sticks with you for a while.”
AN ORAL HISTORY OF THE DIG: VOL. II, EPISODE 9
I asked Billy Joel fans questions that a fundamentalist Christian would ask after a Marilyn Manson concert in 1997, swapping the names “Billy Joel” for “Marilyn Manson.”
AN ORAL HISTORY OF THE DIG: VOL. II, EPISODE 8
The intern wrote something like, “The ’80s! It’s fun! Dance party!” I looked at that and said, “No, this is too earnest. I will destroy it.”
IMPORTANT STUFF THAT I NEGLECTED TO INCLUDE IN MY BOSTON MAGAZINE ARTICLE ABOUT THE MUTILATION OF LOCAL MEDIA: PART 1 OF 1,000
Titled “No News Is Bad News,” it’s about how the predicament of local media in this state has gone “from bad to worse,” what “a world without news really looks like,” and, specifically, how “the marriage of GateHouse and Gannett looms like an Angel of Death over what’s left of the local media landscape.”
AN ORAL HISTORY OF THE DIG: VOL. II, EPISODE 7
We’re like, “Sure! That should go in a newspaper! Put that in there!”
AN ORAL HISTORY OF THE DIG: VOL. II, EPISODE 6
The Dig at that point was more of a Dadaist prank or a piece of performance art—almost a metacommentary joke about having a newspaper—as much as it was a newspaper.
DON’T FORGET TO PICK UP SPARE CHANGE NEWS THIS SEASON (AND ALWAYS)
‘This is who we are, these are our stories, and nobody is going to act like we have no voice around here.’
